cello string height at nut

It’s also possible that I am remembering incorrectly. Intonation, if all the conditions are right with the fingerboard and string heights, is developed through diligent practice as no musician has time to think about where to place their finger while playing. Generally, the the "vibrating string footprint" or the area occupied (or better, transited) by a vibrating string, is smallest on the A and increases proportionately with the D, G and C strings. Yes, the bridge is too high. However with so many new strings on the market, those figures need to be reaxinened. 5.5 mm for A string, 8 mm for C. Keep in mind that even if the string heights are to spec, other things like nut height and fingerboard scoop can impact the heights at the opposite end and middle of the fingerboard. ... Cello (A) 5.0 - 5.5mm (C) 8.0 - 8.5mm: Distance.   Your previous content has been restored. I am trying to figure out a practical approach to adjust string height somehow to the strings. If that is not your case and you observe them to be 1 mm (or 2mm) high above the fingerboard (as they leave the nut towards the bridge) there you have the. Not that high strings is necessarily a solution. If a radical change of strings is done it might mean a new bridge as Andreas suggests or at least filling and re doing the string slots...and of course the type and condition of the fingerboard as has also already been mentioned. I would assume I should look in the area for a Luthier to assist with this?   You cannot paste images directly. I forget what the numbers should be, but your strings are too high above the end of the fingerboard. This also includes any possible corrections for string deflection that you mention. Thanks, so interesting. I sanded down the back of the nut until the strings were just barely clearing the finger board and I was pleased at … The only time a new bridge might be called for is if the previous one proves too low, as a result of a change in string type preferred by the player. Anything higher than six will be unpleasantly noted. This defines the end of the vibrating string length, and if it's not right, intonation will be impaired at the very least, and you may well find your string sizzling like a sitar string. Clear editor. I have Jargar medium gauge strings on the A and D … String heights are the distance between the strings and the top of the fingerboard measured at the end. I measured string heights from the end of the fingerboard to the string. Be careful as some luthiers (not all of them) don't say a word about that (although knowing it) and just keep lowering your bridge. They went over the cello and provided me with some feedback. Show it to your luthier. The height of the nut and bridge are adjusted so that the strings are just barely above the fingerboard at the nut, but the height increases towards the bridge so that the strings are about a quarter inch above the end of the fingerboard. Powered by Invision Community. Tell the maker / shop to fit the bridge accordingly. The problem is, if a player changes the strings he xhould get a new bridge too. Yes a lot of this depends on the string types and the players requirements. 92 : string height at f.b. The proper measurement at the middle of the upper string is 3.5 mm for a violin, 4.5 for a viola, and 5.5 for a cello. So I conclude that mine is abnormally high for me. It has less weight per centimeter (EDIT: per unit of length) and it "kicks-out" the least of the other three strings. I have seen threads that say that 5 mm to 7mm can be a good range. On rounded fingerboards do you measure vertical to the fingerboard or at 90 degrees to the tangent? The Montagnana model can be quite wide in the c-bouts and it is often necessary to do some careful set-up planning to get it right. The C is 1.4 cm, G is 1.7 cm, D is 1.4 cm, A is 1.1 cm. The following commonly accepted dimensions are used, String height at fingerboard "A" 5.7mm "C" 8.7mm, String spacing at bridge 15.6mm, String spacing at nut 7.6mm, Angle of bridge 90 degree, radius of bridge 45.5mm. A major advantage to standardization is facility of transition from one instrument to another. See these Stradivari templates from the Sacconi book, for example. Your Engelhardt should be fine for starting out on once it is properly adjusted.

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